According to Kraidy (2002)'s
“Globalisation of Culture Through the Media”, the mass media’s influence on the
globalisation of culture has been constantly debated. According to the “magic
bullet” theory, mass media is widely believed to impact audiences. However,
scholars doubt how heavily international media can influence globalisation.
Cultural Imperialism is characterized by an unequal distribution of news,
mainly controlled by the Western countries. Garcia-Candini (1995) argues that
interaction between local and global cultures resulted in hybridisation. Kraidy
(2002) eventually concludes that hybridisation has existed since long ago. It
is further driven by the media and has led to the shift from cultural
imperialism to globalisation.
Kraidy (2002) states that the mass
media simply intensify the hybridity of local and global cultures, but did not
result in a complete homogenisation. I agree with his views. Mass media is
defined as any form of communication that reaches a large audience. It includes
television, radio, advertising, movies, the Internet, newspapers, magazines,
and so forth (Cliffsnotes, 2013). According to Kaul (2011), electronic media
enabled increased interconnectedness across vast distances and a temporal
flexibility in social interaction. Mass media like radio and television in the
20th century have allowed even more exposure to news and cultures from around
the world.
One major effect of mass media in
Singapore is on the local production of music. Music can represent global
cultures, yet retain a local identity. According to Firouzeh (2004), music is
an impact of cultural imperialism as US influential power across the globe
caused our planet to be wired. However, Dick Lee, a Singapore songwriter, has
proven this wrong. Music can be a hybridisation of local and global cultures.
His music was described as blending of pop funk beats, a feature of western
music, together with Asian instruments. (Watanabe, 1992) Through mass media,
more musicians can be exposed to the myriad of music cultures existing in the
world. Global music can be incorporated into local productions, allowing
hybridisation of music. Hybridity of local and global cultures has been
observed in food and language since a long time ago. But mass media intensified
the existing hybridisation by providing the platform which brings further
hybridisation of music.
References
Cliffsnotes. (2007). The Role and
Influence of Mass Media. Retrieved from:
http://www.cliffsnotes.com/sciences/sociology/contemporary-mass-media/the-role-and-influence-of-mass-media
Nahavandi Firouzeh. (2004).
Globalisation and Homogenisation of Culture:
The Role of Mass Medias in
Developing Countries. Human Ecology Special Issue No. 12: 235-239. Retrieved
from:
http://www.krepublishers.com/06-Special%20Volume-Journal/JHE-00-Special%20Volumes/JHE-12-Soc-Respons-Life-Sci-Web/JHE-SI-12-28-235-239-Firouzeh-N/JHE-SI-12-28-235-239-Firouzeh-N-Text.pdf
Teresa Watanabe. (1992, May 12). In
the East, Pop Audience Gets Icons of Its Own. Los Angeles Times. Retrieved
from: http://articles.latimes.com/1992-05-19/news/wr-315_1_pop-culture
Vineet Kaul. (2011). Globalisation
and Media. J Mass Communicat Journalism 1:105. Retrieved from:
http://www.omicsgroup.org/journals/globalisation-and-media-2165-7912.1000105.pdf
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